“24″, torture, free speech, and art
Posted by Thomas Nephew on 21st January 2009
Over at “Unqualified Offerings,” Thoreau writes about a Stephen Colbert reference to the popular TV show “24“, notorious for depicting torture as an effective tactic:
Last night I had a good chuckle when Colbert mixed in some Jack Bauer speeches with speeches by media and political figures arguing in favor of torture. I chuckled, because I distinguish between reality and fiction, and I can enjoy watching fictional characters do things that would never be excusable in real life. It’s pathetic that some people can’t.
But then he acknowledges that “24″ may not be as simple as that, and asks:
Are artists responsible for people who feel validated by their works? Are they responsible for people who fail to see the nuances in their works? What if we were talking about gangster rappers instead of Kiefer Sutherland?
Those are excellent questions, I think. But one of Thoreau’s readers didn’t, simply answering “no” to each question and closing, “Another edition of easy answers.” As it happens, I value that reader’s opinions, which is why I’m taking the time to write out why and how I disagree; I think easy answers aren’t available in this case.
I begin by affirming that everyone has the right to say whatever stupid, vile, pernicious thing they want, because I don’t see how to agree on what does and does not fit that description, and because trying to in a serious, consequential way would chill the free expression of difficult or unpopular ideas.
But I also think everyone should man up and take moral responsibility when they do say stupid, vile, pernicious things. As Jane Mayer has shown, this TV show clearly has an intentional agenda, and its directors and actors had and have a choice whether or not to participate in that. If exposure to “24″ has increased the propensity to torture or to approve of torture (as it appears to have done) and if that appears to be part of an intentional agenda, then Kiefer Sutherland and the rest of the “24″ cast and crew should take their fair share of the blame. Sometimes it’s not just a job.
This art — like much art, maybe all of it in some sense — is meant to challenge. To criticize its makers and their collaborators for their role in that art is to accept that challenge. This is not about the purported effects of exposure to video games or gangster rap, or whether “Piss Christ” is art or deserves public funding. This is about the real, intended, and deeply unfortunate effects of a work of art on the public discourse. In that world of public discourse, these people deserve censure. I think they are “responsible” for their work to that extent.
To some very small degree, my disapproval of “24″ incurs the cost of chilling truly nonstupid, nonvile, nonpernicious expression, and that really is regrettable. So I don’t think my own answers are easy ones either. Surnow’s creation of and Sutherland et al’s participation in “24″ doesn’t make them permanent pariahs (though in Surnow’s case I’m tempted). But I do think that in this case they failed as human beings, and that they deserve our temporary contempt and our lasting pity. They also deserve our serious consideration long enough to answer the questions, “What would I do?” The answer shouldn’t be “hope that no one gives my choice much thought.”
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